mardi 2 avril 2013

DONSO EN CONCERT LE 5 AVRIL AU TAMANOIR

BILLET EN VENTE ICI

DONSO
NOUVEL ALBUM "Denfila"  
produit par PAG aka Krazybaldhead (Ed Banger)

Futur sound of Bamako "la transe malienne en version rock saturé" 
Conçu  dans la chaleur des maquis de Bamako entre N'goni et bass synthe , percussions explosives et  guitares psychédéliques, 
Donso poursuit l'aventure plus Afro rock, plus saturé, entre transe d'hier et sons du futur.

SORTIE LE 2 AVRIL 2013
Comet Rds / Dist. L'autre Distribution

EN CONCERT
LE 5 AVRIL AU TAMANOIR 
 LE 11 AVRIL  AU STUDIO DE L'ERMITAGE
__________________________


Donso new album Denfila out today on Comet !





Donso

The future of African Beat orchestrated by Krazy Baldhead

Order it on ITUNES

Second album ‘Denfila’ is out today on Comet Records.


Donso are a French/Malian band of five, who skilfully bring together traditional Malian music and electronica rock to create a new music. And pull it off.

Donso are Pierre-Antoine Grison, aka KrazyBaldhead (producer for the influential dance music label Ed Banger) on Keyboards & programming, Moh Kouyate on guitar and Djele N'Goni, Thomas Guillaume on percussion & Donso N'Goni and vocalist Gedeon Papa Diarra and Seyba Sissoko on Djeli Goni





              

jeudi 14 mars 2013

Tony Allen & Abayomy Afrobeat Orquestra feat bnegao Ep 10" out now on Comet





Last May 2012, Tony Allen and his band was touring in Brazil. After their concert
in Rio at Circo Voador, Tony Allen, his musicians and the Abayomy crew ended
up in a studio in Santa Teresa for a stellar recording session. After two hours of
music jam, they recorded live the famous Jorge Ben Jorʼs song Meus Filhos to
celebrate the meeting between Africa and Brazil.
I felt like I was a tree replanted and able to flourish” – Gilberto Gil after
meeting Fela Kuti in Lagos, Nigeria
Afrobeat rhythms have been a percolating influence in Brazilian music for
decades, The last few years have found afrobeat becoming an integral
component in the sound of a new generation of Brazilian musicians, working its
way into the grooves of hip-hop artists Curumin and Criolo and afrobeat
orchestras like Abayomy, Saravah Soul and Bixiga 70. Perhaps this shouldnʼt
comes as a surprise, as the roots of the current Afrobeat movement were planted
in Brazil long ago. Brazil is home to the largest population of African diaspora in
the world and the musical traditions of Brazilʼs African descendants have been
surprisingly well preserved through the rituals of the Afro-Brazilian religion